Zine Announcement: Our Application to Heaven
A couple friends and I just launched a zine, and our first issue is now available to read in paper copy. … Continue readingZine Announcement: Our Application to Heaven
What’s Really Good: June 20, 2024
Been a minute since I did one of these. But I’m back. Here’s more of what’s really good. … Continue readingWhat’s Really Good: June 20, 2024
“Never Let Your Guard Down”: Volume, Emotion, and Destroying the Voice to be Heard
Unless you’ve also spent probably too much time on the internet exploring the intricacies of various niche punk rock subgenres, the words “screamo” or “emoviolence” might mean nothing to you,
Continue reading“Never Let Your Guard Down”: Volume, Emotion, and Destroying the Voice to be Heard
MP3 Archaeology: Rook Milo – 4 Horsemen Shop Sounds Mix
4HorsemenShop · 4 Horsemen Shop Sounds by Rook Milo Some things last a long time. Some things don’t last as long as you thought they would. Some things that you
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Favourite Songs of 2023
Here are my top 30 favourite tracks released in 2023. … Continue readingFavourite Songs of 2023
Favourite Albums/EPs/Demos/Releases of 2023
In alphabetical order, here is some good music that was released this year. … Continue readingFavourite Albums/EPs/Demos/Releases of 2023
Long on the Song: UGK – One Day (Chopped and Screwed)
A closer look into what makes one of the greatest hip hop songs ever so compelling … Continue readingLong on the Song: UGK – One Day (Chopped and Screwed)
What’s Really Good: September 1, 2023
The school year is right around the corner. With coursework and a couple jobs lined up for the next eight months or so, it’s highly possible that my activity on
Just Throwing This Out There: Thoughts on Concert Behaviour, Fandom, and the Musician as “Star”
Like many people, I’ve found the recent trend of fans throwing objects at musicians to be fascinating and bizarre. It happened to Steve Lacy. It happened to Drake. It happened
What’s Really Good: August 15, 2023
King Midas Sound – Fact Mix 103 I went through a phase last winter where I began exploring the high period of “real” dubstep. It is unfortunate that the Americanized