On the cutting edge of sweet sounds
We take a look at Barnard’s Star’s self-titled EP, New Zealand indie, shoegaze-electronica fusion, and talk about why repetition is a nice thing for music to contain … Continue readingMP3 Archaeology Vol. 3: Barnard’s Star – Barnard’s Star
Vibing to music is cool, but when music has the power to stop you in your tracks, pull hard on your heartstrings, give you an intense rush of energy, or radically change or validate your perspective on your life and the world, how can one not prefer that over something that will play idly as you enter data into spreadsheets, bag groceries, or cram for that biomechanics final you wrote four years ago and now have no recollection of the material you spent hours agonizing over? … Continue readingPlease Kill My Vibe: Fulfilling Hunger For Non-Functional Music Experiences
Toro y Moi is an artist that I’ve long been a fan of. In fact, his 2019 album Outer Peace was one of my favorite albums of that year. On
Continue readingThe Vibes Are Off: Hearing Feel-Good Music During Unsettling Times
In the second entry in the mp3 archaeology series, we take a look at Phil Yost’s avant-jazz opus Bent City and the legacy of mp3 blogs and file-sharing … Continue readingMP3 Archaeology Vol. 2: Phil Yost – Bent City
GUMBO'! by Pink Siifu Over the past year or so, I’ve begun diving into the rich and gorgeous discography that belongs to Pink Siifu. While there are many things that
Summerhouse by Summerhouse This is the first instalment of MP3 Archaeology: a series in which we unearth underrated underground music of the Internet ages, talk about why they rule, and
Continue readingMP3 Archaeology Vol. 1: Summerhouse – Summerhouse EP
The success of Parannoul and other anonymous/reclusive musicians provide a glimpse into a future for musician that is freed from the clutches of the attention economy, corporate streaming, and music capitalism. … Continue readingTo See the Next Part of the Dream: Parannoul, Anonymous Musicians, and Imaging the End of Music Capitalism